Untitled No. 1
2024
Oil on linen
24 × 36 in (61 × 91.5 cm)
A meditative exploration of form and negative space. Warm earth tones dissolve into pale ground, evoking memory and impermanence.
$2,800
My work moves between figure drawing, printmaking, and ceramics — each medium a different kind of listening. I'm drawn to the places where form goes soft: where a mark hesitates, where glaze pools at the foot of a vessel, where a body in repose refuses easy reading. These works span two years of sustained studio practice in DC.
2024
Oil on linen
24 × 36 in (61 × 91.5 cm)
A meditative exploration of form and negative space. Warm earth tones dissolve into pale ground, evoking memory and impermanence.
$2,800
2024
Monotype on Japanese tissue
18 × 24 in (45.7 × 61 cm)
Hand-pulled monotype. Each impression is unique. Ink bleeds and pools at the edges, resisting containment.
$950 (edition of 5)
2023
Charcoal and chalk on toned paper
14 × 20 in (35.5 × 51 cm)
Life drawing study. The figure emerges from shadow, captured in a single long session. Framed in natural oak.
$650
Available framed2023
Risograph print, 3-color
11 × 17 in (28 × 43 cm)
Inspired by Korean chaekkori still-life arrangements and the Chinese bogutu antiquities tradition. Printed on Mohawk Superfine.
$220 (edition of 30)
2024
Ceramic vessel, cone 6 reduction
H: 9 in, D: 5 in
Wheel-thrown stoneware with layered celadon glaze. Fired in reduction atmosphere. Each piece varies subtly; this is a unique work.
$480
2023
Oil pastel and graphite on paper
9 × 12 in (22.9 × 30.5 cm)
Small-format work made while listening. The marks track the movement of sound through a room.
$380
| Untitled No. 1 | Oil on linen | $2,800 |
| Dissolution Study III | Monotype on Japanese tissue | $950 (edition of 5) |
| Blue Hour, Petworth | Ceramic vessel, cone 6 reduction | $480 |
| Figure in Repose | Charcoal and chalk on toned paper | $650 |
| Grid (After Bogutu) | Risograph print, 3-color | $220 (edition of 30) |
| Soft Study (Vinyl) | Oil pastel and graphite on paper | $380 |