Z Koh

My work moves between figure drawing, printmaking, and ceramics — each medium a different kind of listening. I'm drawn to the places where form goes soft: where a mark hesitates, where glaze pools at the foot of a vessel, where a body in repose refuses easy reading. These works span two years of sustained studio practice in DC.

Oil on linen
Monotype on Japanese tissue
Ceramic vessel, cone 6 reduction
Charcoal and chalk on toned paper
Risograph print, 3-color
Oil pastel and graphite on paper